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When the Triumphs are set up as described, you can get a pretty convincing spread of sound, with believable depth and nice spatial detail-and some convincing music making too. On the Brahms Clarinet Quintet, I was startled by how well the Triumphs kept the music moving forward. The Triumphs sounded like the Triumphs I have Come to know already: very good spatially, very tactile, emotionally involving, a little colored.
There are moments in all of these album's major pieces where the ensemble is playing in more than one rhythmic stream at the same time. The Triumphs pull it off-just not amazingly well for their price, amazingly well, plain and simple. I think the Coincident Triumph Signature is a pretty nice, speaker. I do think if s a heck of a bargain. Arguably best of all: It adds one more very good choice to the ranks of reasonably priced and reasonably sized speakers that can be driven with just a few watts of power Recommended.
-Listener-Summer 1999
Rating:  [5 of 5 Stars!] |
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